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I've been lucky enough to have worked on a couple of feature films using 3dsMax & I've always wondered how many other films had effects created with it. After much looking on the net there didn't seem to be one place to find out, so I decided to create my own list. If you wish to link directly to this list please use this link http://www.groundzerofx.com/maxinfilm I'll keep adding more material & updating the list as I get it. So if you have worked on film using 3dsMax or have any comments please get in touch Note: a film listed here with no details means I've seen claims made on discussion forums that 3dsMax was used but nothing has been found to to verify this. Also a big thanks goes to all those who have contributed information & images etc. |
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| Last update... 31st July 2005 | |||
| Release dates are according to IMDB.com | |||
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Click on a film title for information about the film or click on the Details link for more information & images about what work was done. |
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Year
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Film
IMDB
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Comments |
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2005
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Around
640shots byThe Orphanage
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Around
150shots byThe Orphanage using
Brazil
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3ds
Max and AfterBurn were used by CafeFX
for dust storm shots
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8
shots using 3dsmax by Iloura adding
flying daggers in the bamboo forest sparring scene. Also 'Bean' sequence
by Animal Logic 3D beans, sword,
and bowl using 3ds Max + Vray.
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Digital
Dimension adding CG mud to cars before
& after shots
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150
shots, with all the Vampire disintegration sequences by Digital
Dimension using 3dsMax with Thinking Particles 2 , Mental Ray and
Digtal Fusion
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Many
shots by The Orphanage &
Dreamscape Imagery
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Pixars
2nd unit created some 'digimattes' & backgrounds using 3ds max and
Brazil
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Work
by Digital Dimension
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3ds
Max was used in all of the environment pre-viz for the film. 8 establishing
shots of the film and the opening sequence of the movie (16 shots) created
using max 5 and combustion by Creative
Capers Source: Duane Loose
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70
shots by The Orphanage
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Work
by The Orphanage creation of
digital six packs of beer, exploding crystals, to Hellboy tails, to giant
flying squids. Digital cars on West Side Highway sequence
& digital environments.
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1
shot embellished using Afterburn, an overhead shot where the twins' SUV
blows up - mostly live action explosion with Afterburn elements.
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3ds
Max and AfterBurn used by CafeFX
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Unreleased
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Frantic
Films Pre-Vis & Post Production
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48
Shots by Digital Dimension
& other shots by Matte World
Digital
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Entire
opening sequence of the movie (21 shots) done in 3ds max and combustion
in 6 weeks by by Creative Capers
Source: Duane Loose
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Unreleased
- Asylum Visual Effects
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Digital
Dimension Source: James Coulter
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600
visual effects shots by Dreamscape
Imagery with the production company Uncharted
Territory
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Digital
Firepower created 2d/3d matte paintings
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Opening
satelite sequence by Animal Logic
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Feature
film adaptation of Corto Maltese in Siberia, originally a comic-strip
based story created by Italian artist Hugo Pratt, produced by Ellipseanime,
Animator Dominique Gantois used 3dsMax 2.5 with Afterburn & Illustrate
on 120 shots.
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Around
100 shots by Frantic
Films & also Computer Cafe
worked on some sequences using 3dsMax & Afterburn
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Switchblade
glider sequence, digital extras & gliders done 3dsMax at Mill
Film
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One shot used 3dsMax for the main element of a matte painting by 7th
Art Pictures
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Pre-vis
work by Mill Film
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A
Hídember (The Bridgeman)
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Hungarian Film - 17 shots of CG crowds created with Max4 by Laszlo Sebo
at Post Edison
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Around 20 shots adding CG tail smoke to helicopters by Mill Film & another 15 shots by Asylum Visual Effects |
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Digital Dimension - over 20 shots including a digital double of Matthew
McConaughey
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Around
10 shots by Asylum Visual Effects
Source: Matt Merkovich
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Digital
Dimension shots created Afterburn of rockets flying by and hitting
a bus
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Digital
Dimension Source: James Coulter
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Around
9 shots including a missile launch - Mill
Film
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Unreleased
- All CG animated film Chaman
Productions
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Digital
Dimension Source: James Coulter
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Single
shot of a helicopter fly-in & zoom into a house on a cliff by Asylum
Visual Effects Source: Matt Merkovich
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Digital
Dimension Source: James Coulter
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Over
90 shots by Asylum Visual Effects
Source: Matt Merkovich
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The
title sequence was completed for Big
Idea using 3dsMax & Mental Ray
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Unreleased
- Digital Dimension -around
20 shots including a 'Smoke Witch' further details
on Digital Dimension
site
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Unreleased
- Mill Film
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Brazilian
film with effects by Twister
Studio - Taxi getting hit by a Manhole Cover
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Computer Cafe - 3 shots of blood particles for Centuri U-Bomb extraction scene |
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Mill
Film 4/5 shots, adding CG people to model City & destroying the
ancient city
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Digital
Dimension Source: James Coulter
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40
visual effects shots by CatNap FX
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Previsualisation & some Glass elements created with Havok - Millimeter Article |
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Matte
World Digital matte paintings & CG waterfalls.
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Burn-ins
showing trajectories and some motion graphics. Source: John Ployhar /
Blackboxdigital
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Matte
World Digital matte paintings & factory
explosion. Source: discreet
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Matte
World Digital matte
paintings created for the 'Planet of the Apes' & 'Fugitive' references
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Source:
discreet
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Short
Dutch horror movie, effects by Twisted
Pictures check Stefan
Radermakers' website for behind the scenes footage
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no
details
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Matte
World Digital matte
paintings & opening sequence elements
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Digital
Dimension Source: James Coulter
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no details |
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28
Shots by E=mc2 & Max
Inc Cafe 6 Shots were using 3dsMax
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Hong Kong action film. Max was used in two all CG shots involving a floating car and a large churning cloud. |
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CG
birds - French Documentary
about migrating birds. Source F. Girodot
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Polish
Film - 30 shots with 3dsMax by Platige
Image
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Screen
shots and burn-ins showing trajectories paths in space. Source: John Ployhar/Blackboxdigital
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Burn
through effect between scenes used Max and Phoenix. Source: John Ployhar/Blackboxdigital
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35+
Shots by Digital Dimension
(& also Red Gypsy) using 3dsmax
and Mental Ray
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3ds
MaX R3 was used to do slow motion of Buckshot from a shotgun as well as
CG fire effects.
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Particle effects for Learning Machine sequence by Computer Cafe 2 shots done by Digital Firepower - the virtual flythrough scene when they were training in the simulator & the exterior shot of the simulator revving up |
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Architectural
design, 3d creation, and multipass composite of Council Hall building
shot by Digital Firepower
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Mill
Film details soon
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Opening
Titles by Rezn8
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2
shots of an Exploding Book, Clouds and smoke
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Matte
World Digital matte
paintings & 3D environments
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Computer
Cafe
- Around 6 shots of various volumetric smoke effects using Afterburn
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Brazilian
film with effects by Twister
Studio 2 shots are of a huge Brazilian Flag, made up of coloured Balloons
using particles.
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3dsMax
used for Snow Elements
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IMAX
film, Rezn8 used 3dsMax for a 2 minute
all CG sequence -
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30
shots involving mostly lightning and aura effects using 3dsMax by Red
Gypsy.
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2
digital effects shots of JFK's 707 Air Force One
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Animatics
& Previs using 3dsMax& Illustrate
-
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All
3d scenes by A. Film A/S
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Snow, River & Bird elements by Mill
Film
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Blur
Studio - sequence of Kenny descending into
hell
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Fever
- independent film by Alex Winter ( of 'Bill & Ted's Excellent Adventure').
3ds Max R3 Beta was used for several shots showing decayed flesh appearing
on the walls and the Outburst plugin was used for smoke effects.
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Digital
people for empty streets
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German
Film - digital rockets and a 3d balloon crash sequence include cloth simulation
done with 3dsMax
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Launch sequence effects - by
Computer Cafe details
& Matte World Digital worked
on the Paris aftermath shot
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Magic
Camera Company
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various
elements including a a CG helicopter by Matte
World Digital
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Digested
Billy sequence by Blur Studios
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Source:
discreet
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Architectural
shot by Matte World Digital
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Various
elements by Matte World Digital
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no details |
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5 shots (1 cut but on the DVD) by Jim Lammers at Trinity Animation |
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Virtual sets, CGI Mecical Bird |
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Previsualization
only
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3D
elements for the talons that retracted into Spawn's hand (just after he
punches out a dumpster)
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HUD
display on a hi-tech U.S. Army helmet that gets stolen by drug lords.
The Ayres Group
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3ds
Max
was used for the visualization of the alien plans where the pages fold
together to show the message.
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1996
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Sony
Pictures Imageworks. Frank Foster's 3ds R4 DOS group did the CG butterflies
sequence, they created an .RLA render plugin so they could render to film
format with 16-bits per channel.
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Martin
Foster. Talking leopard, 6 shots of 3d jaw replacement
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About
100 shots include Big screen and computer screen animations for on-set
playback, nanotech world, blood and transformations, talking holographic
head. Metrolight Studios
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Set
extension elements by Matte World
Digital
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Sony Pictures Entertainment
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1994
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"For
the technically complex elevator shaft sequences in the 1994 film Speed,
director Jan de Bont uses 3D Studio onset to experiment with lenses and
demonstrate intricate camera moves to his motion control camera operator
" Discreet Website
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1993
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"Sony
Pictures Imageworks bids on its first computer-generated title sequence
for the film Wilder Napalm. Imageworks gets the green light thanks to
the cost effectiveness of 3D Studio and its "Melt" plug-in."
Discreet Website
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"Sent
on location as an onset pre-visualization tool for the action feature
film Striking Distance, 3D Studio DOS is a hit, and Hollywood filmmakers
begin to warm to computer-generated pre-visualisation."
Discreet Website
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All material on this site is copyright. You have the right to view this page but you are not granted any other rights and the copyright owners reserve all other rights. |
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